Interior Architecture
The Power of Interior Design in Architecture: The Art of Combining Function and Aesthetics
The Power of Interior Design in Architecture: The Art of Combining Function and Aesthetics
. Creating Meaning: Color, Texture, Pattern Combinations
. The Magical Touch of Lighting
. Customized, Architectural Identity Reflecting Touches
From the user's point of view, a space is characterized as 'physical space'. Usually its boundaries are concretely defined and within these boundaries all surfaces are clearly expressed. We designers are here to break this perception. For us, space has an abstract meaning and infinite definition.
The Power of Interior Design in Architecture: The Art of Combining Function and Aesthetics
Since the mid-20th century, modern urban planning has led to significant changes in the design and use of public spaces. Needs such as coming together for a common purpose and strengthening social ties gave birth to a new perception of space. Collective spaces. Let's define the space together with excerpts from the Kolektif House project, one of the most current and popular examples of our country
There is no sharp dividing process in the wide-open co-working area, and the boundaries are indicated by providing flow on the surface and grouping the areas within themselves. From the point where the platform ends, it is felt that a new zone has been entered, and the separation of socialization, circulation and office at the continuation of the ground level is expressed sometimes with the back surfaces of the seating elements and sometimes with glass dividers. The carpet laid in the middle of the beanbags defines a space on its own and also underlines that its use creates an intimate atmosphere.
The Power of Interior Design in Architecture: The Art of Combining Function and Aesthetics
In the 1950s, modernist architects took a different approach to the definition of space. By introducing an architectural design they called the Conversation pit, they created the effect of creating space within space. In large rooms, they lowered the floor level of the center and separated the cavity from the space to perform a different function. Designed by Eero Saarinen TWA Uçuş MerkezLet us examine the approach with the example of i. The conversation pit, which is reset to the glass facade, is designed to disconnect the passenger waiting area from the airport circulation. The elevation difference is shaded by the backrests of the seating elements, isolating their boundaries. Color coding is used to draw attention to the area and provide orientation.
Now let's listen to the signature of a designer who interprets spaces in an unconventional way. Yinko Iloriblends the minimal linearity and shadow traces of British design with the noisy and dominant African riot of color. He tends to use color as a means of communication and has a playful, humorous language.
The Power of Interior Design in Architecture: The Art of Combining Function and Aesthetics
If we examine the Filtered Rays work, we perceive space in reverse.
In the pavilion, which appeals to the meditative segment, we see that the circulation, which is completed in a single flow, is interrupted on the ceiling. The young designer, who creates boundary definitions with different colors and textures, invites us to look at the sky and draws attention to the fact that what we see and how we see it is directly related to our perception of the world.
There are many ways to express ourselves in the language of design. Creating illusion with material differences or creating an atmospheric divider with different lighting combinations according to function are just a few of them. Every living space can turn into a design in direct proportion to the creativity of the user. The secret is to communicate with the space correctly.